Lit by the light thrown onto it,
a partial image – the thing itself becomes
a reference to something seen before.
Stone-quiet, the thing itself
pressed like a flower, becomes forty words
I draft slow enough, but only just
to interpret something inanimately projected,
to interpret something inanimately projected,
saturated with a longing to retrieve its zest, its spirit
though its fragile construction sits motionless becoming
but a spare moment I want to recreate – to make luminous
its flatness in its passing, passing through utter abstraction,
linked to the indefinite duration of a briefness progressing –
upping its effect, an unnatural light in the room cast upon its face,
and now to poeticize it – it itself without any soul, forty words
having somewhere to go, each becoming a part of something.
. . . . .
a winged thing bulks in the dark / painted in stillness / regal its bearing / needing
nothing / the act of inscription / in this public space / austere walls / granting excess
access / filtering through the light / less and less / a part of something splayed
linked to the indefinite duration of a briefness progressing –
upping its effect, an unnatural light in the room cast upon its face,
and now to poeticize it – it itself without any soul, forty words
having somewhere to go, each becoming a part of something.
. . . . .
a winged thing bulks in the dark / painted in stillness / regal its bearing / needing
nothing / the act of inscription / in this public space / austere walls / granting excess
access / filtering through the light / less and less / a part of something splayed
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