31.12.11

Becoming More Than The Sum Of Its Parts


Another image
becomes a question now,
to be summed up.

It drifts
in spite of itself –
the snail.

It moves with
a movement of
flaccid ambition.

There on the wall
it gathers in the
dwelling of self.

A single meditation point, poised without regard for time.

The moment, magical only
to the change it makes
to perception, as the eye
designs an emotion.

A single snail revering in solitude becomes another image
recalled in the external world of theatre.

Another image
of time's past.

Time passes…
becoming a question now
to be summed up.

30.12.11

Empty O' Clock


The clock ticks empty now, 
without a pulse – frozen to a standstill.

BUT YOU WAIT!

Soon it will talk or do whatever it takes
to advance itself in this world…

                                          *              *             *             *     
                                               *             *                 *        *
                                           *              *             *             * 
                                                  *              *             *                  
                                              *             *                 *        *
                                                      *        *        *          * 

once winter's weather wanes.

Its Joy – A Beginning, There In The Fire's Core


I've heard there was a secret chord
That David played, and it pleased the Lord
But you don't really care for music, do you?
It goes like this
The fourth, the fifth
The minor fall, the major lift
The baffled king composing Hallelujah…

~ from LCohen's Hallelujah

. . . . .

Music is my fleece,
its easeful sounds
emerge in this stillness,
enveloping my spirit 
as sorrows flee.

. . . . .

At times I feel as though I never fully grasp
the true meaning of music's eclectic measures,
like the text in half the books I own –
the narrative is extensive, but never fully read,
and therefore, never fully understood.

Music's expression is everywhere,
leaving hints of a larger truth, for some 
its pulse is buried deep, for others
its pulse is a freedom song that speaks
clear of life's raw reflection.

28.12.11

Every Changing Hour


“There is a flower, a little flower 
With silver crest and golden eye, 
That welcomes every changing hour, 
And weathers every sky.”

~ James Montgomery

. . . . .

As it draws closer
how radiant it comes,
how easily too, it evanesces
and with it an infinite number
of irresistible impressions.

The year two thousand and eleven
lapsing into a sluggish, sallow fatigue,
posessing its own private gravity
where pensive words inspire affection –
bearing an expression of my deepest regard.

. . . . .

“D  a  i  s  i  e  s   i  n  f  i  n  i  t  e 
Uplift in praise their little growing hands, 
O'er every hill that under heaven expands.” 

~ Ebenezer Elliot


27.12.11

Ever So Gently


Every moment and every event of every man's life
on earth plants something in his soul.

~ Thomas Merton

. . . . .

How these words found you I don't know, 
forgive me – I cannot capture the current moment
as it speaks to me of things I cannot translate.

. . . . .

The old year fainting away
here in the breath of winter
and with it a restless calm
that cannot be stayed.

Hour by hour this sense of space
exalted by time – the whole world
around it moves, but doesn't move.

Everything that was said is reread again
by another wonderful kind of mind.

Observable moments segue into black
on white, elucidation's adamantly tumbling
there in the turning mind, finding their method, 
stretched far beyond their original design.

With an optimistic eagerness here in this late afternoon
the eyes make no effort toward conversation as the mind
loafs ever so gently in the white of the snow – and is gone…


23.12.11

I Felt My Spirit Glisten


Last night I dreamed of peace,
which encouraged a smile
this morning as I gaze
through my open window.

The eyes kindly caress
winter's pale complexion,
becoming adequate enough
for an enthusiasm of spirit
to take bloom within while
the earth's lucid beauty
unveils its silent repose.


*
* *
* * *
* * * *
* * * * *
*
*


SATISFIED

One blessing had I, than the rest
So larger to my eyes
That I stopped gauging, satisfied,
For this enchanted size.

It was the limit of my dream,
The focus of my prayer, –
A perfect, paralyzing bliss
Contented as despair.

I knew no more of want or cold,
Phantasms both become,
For this new value in the soul,
Supremest earthly sum.

The heaven below the heaven above
Obscured with ruddier hue.
Life's latitude leant over-full;
The judgment perished, too.

Why joys so scantily disburse,
Why Paradise defer,
Why floods are served to us in bowls, –
I speculate no more.



~ Emily Dickinson

21.12.11

Nature Does Not Hurry


Everything is accomplished.

16.12.11

Infinitely Changeable


Eloquent Austerity


Go inside a stone
That would be my way.
Let somebody else become a dove
Or gnash with a tiger's tooth.
I am happy to be a stone.

~ from Charles Simic: Stone

. . . . .

Will I become a poet 
when I become a stone…

. . . . .

Here is a strange thing.
The essential mystery of the stone.
Its medium of expression eludes my grasp.

There is something in its make-up and our way of seeing things.
It must be worked out with extreme concentration.

Its medium of expression eludes my grasp.
The essential mystery of the stone.
Here is a strange thing.

. . . . .

It was beautiful. It was silent.
It didn’t even have a mouth.
But it wanted something,
it had a purpose.

~ from Mary Oliver: Luna

15.12.11

Toward And Away From


This traveler on foot
wanders with the rain, 
inside the outside world,
as a train's whistle carries.

 She eyes the art that speaks
to her of how proud
 it is
to have become something
she wants to further pursue.

Lines, arcs and the colours too –
 the integration of all their parts
 play such a role as she wanders on
within these shortened days.

 . . . . .

 Creativity arises out of the tension between spontaneity and limitations, 
the latter (like the river banks) forcing the spontaneity into the various forms
which are essential to the work of art or poem.

~ Rollo May

. . . . .

“Look,” she insists,
stopping dead in her tracks.

“See how beautiful
the tree's shadow is cast?”

. . . . .

Standing alongside her, I too admire the texture, the colour and the height
of this somewhat ordinary day – taking umbrage at its impending end.

The outside world
becomes something
the eyes can trace, 
however brief,
as she and I walk
toward tomorrow
and away from today.

9.12.11

A New Piece


If there’s any excuse at all for making a record, 
it’s to do it differently, to approach the work
from a totally recreative point of view…
to perform this particular work 
as it has never been heard before. 
And if one can’t do that, 
I would say, 


a       b       a       n       d       o       n        


it, 


forget about it, 
move on to something else.


~ Glenn Gould


Not Mine To Tell


A place belongs forever to
whoever claims it hardest, 
remembers it most obsessively, 
wrenches it from itself, 

shapes it,       renders it,       loves it

so radically that he remakes it
in his own image.

~ Joan Didion

5.12.11

Always Miracles


Far away 
there in the sunshine 
are my highest aspirations.
I may not reach them, 
but I can look up 
and see their beauty,
believe in them, 
and try to follow 
where they lead.

- Louisa May Alcott

4.12.11

Traipsing Through Time


While passing by the lake today
a good friend of mine recites a few words
of a Mary Oliver poem titled "This World"…

. . . . .

I would like to write a poem about the world that has in it
nothing fancy.
But it seems impossible.
Whatever the subject, the morning sun
glimmers it.
. . . . .

Familiar with the lines, 
I continue on with Mary's words…

. . . . .

The tulip feels the heat and flaps its petals open and becomes a star.
The ants bore into the peony bud and there is a dark
pinprick well of sweetness.
As for the stones on the beach, forget it.
Each one could be set in gold.
So I tried with my eyes shut, but of course the birds
were singing.

. . . . .

In unison we voice…

. . . . .

And the aspen trees were shaking the sweetest music
out of their leaves.
And that was followed by, guess what, a momentous and
beautiful silence
as comes to all of us, in little earfuls, if we're not too
hurried to hear it.
As for spiders, how the dew hangs in their webs
even if they say nothing, or seem to say nothing.
So fancy is the world, who knows, maybe they sing.

. . . . .

Together we sing the rest of the poem…

. . . . .

So fancy is the world, who knows, maybe the stars sing too,
and the ants, and the peonies, and the warm stones,
so happy to be where they are, on the beach, instead of being
locked up in gold.

. . . . .

All fell beautifully silent as the poem closed.

3.12.11

Poetry In Person


You do not need
to leave your room. 
Remain sitting
at your table
and listen. 

Do not even listen, 
simply wait, be quiet
still and solitary. 

The world will
freely offer itself
to you to be

u  n  m  a  s  k  e  d, 

it has no choice, 
it will roll in ecstasy
at your feet.

~ Franz Kafka

2.12.11

The Current Moment, So Heavily Imbued


The golden reeds –
you think you see them 
gently bend to the music
of the autumn wind.

So soothing,
these chosen moments,
reminding me again
how calm the hours 
sometimes sit, like water
at ease in a lake.

An ordered gentleness
deserving of one's attention
quietly rumbles – innocent like.